Opera Aperta / Loose Work 

Spatial Installation




Opera Aperta / Loose Work
text E-Flux

Guus Beumer will be presenting artists Joke Robaard, Johannes Schwartz and Barbara Visser, designer Maureen Mooren, architects Herman Verkerk and Paul Kuipers, author Sanneke van Hassel and composer Yannis Kyriakides in the Dutch Pavilion at the 54th Venice Biennale. At his invitation, they are all working on a collaborative project, entitled Opera Aperta / Loose Work. 
Opera Aperta / Loose Work has its origins in a linking of the notions ‘national identity’ and ‘community’. In the Netherlands, the concept of community has been uniquely embodied in its cultural infrastructure. This intricate infrastructure has been developed by the Dutch government since the 1960s. The result is a public system of production, distribution and reflection on art and culture in which the position of the artist in society is firmly embedded. However, this cultural infrastructure has begun to lose public support and has become a subject of major debate. Consequently the public space, the social position of art and the artist, as well as the notion ‘community’, need to be redefined in the Netherlands. 

Opera Aperta / Loose Work implicitly reveals the potential of this cultural infrastructure. From the outset, a decision was made to use a multidisciplinary group of participants: visual artists Johannes Schwartz, Joke Robaard and Barbara Visser, graphic designer Maureen Mooren and architects Herman Verkerk and Paul Kuipers. Despite their backgrounds in various disciplines, they share a fascination with the issue of representation. In addition, the Mondriaan Foundation and the curator have forged alliances with the Dutch Foundation for Literature and the Performing Arts Fund. These have resulted in commissions for the author Sanneke van Hassel and the composer Yannis Kyriakides. 
In addition to this collaborative working methodology, Opera Aperta / Loose Work also refers to the opera model and the idea of a succession in time involving different scenes, an intermission, a powerful composition, an accompanying libretto, voices, a stage set, lighting and costumes. This model offers both a conflicting and seductive point of departure for the blending of different disciplines and commissions. The title refers to a 1962 publication by Umberto Eco.

Colophon

Project | Opera Aperta
Curator | Guus Beumer
Commisioned by | Mondriaan Foundation
Type | Installation
Date | June 1 – November 27, 2011
Location | Dutch Pavilion Giardini Venice
Participants | Barbara Visser, Herman Verkerk, Johannes Schwartz, Joke Robaard, Maureen Mooren, Paul Kuipers, Sanneke van Hassel, Yannis Kyriakides
Spatial Installation | Herman Verkerk & Paul Kuipers
Graphic Design | Maureen Mooren
Production Coordinator | Wendel ten Arve
Construction | Landstra & De Vries
Cook | Maher Al Sabbagh
Photography (top)  | Johannes Schwartz
Images (down) | Paul Kuipers

Link | eflux.com